Saturday, October 19, 2013

IN THE SEASON OF THE YEAR


It is well and truly autumn here. The Sumacs are blazing, and the maple leaves are falling. Our first song today is Autumn Leaves, lyrics by Johnny Mercer,
music by Joseph Kosma, and sung by Frank Sinatra, and it is for Joy. It gently weaves a story of loss, shown by the sepia photograph which has fallen among the leaves, which in turn always show more colour variations than you could possibly remember from last year. “Since you went away the days grow long and soon I'll hear old winter's song; but I miss you most of all my darling, when autumn leaves start to fall.”

Our second piece, The Lincolnshire Poacher, is a folk song from the north of England which extols the joys of poaching, and which was first heard in York about 1775. It is considered to be the county anthem of Lincolnshire; it has been adopted as the quick march of several regiments both in the UK and Canada and the RAF College Cranwell, and it has been used as a setting for the ancient Anglican hymn “The happy birds ‘Te Deum’ sing, ‘tis Mary’s month of May.”

But our interest here is that it was the signature tune of the late and great vibraphonist and jazz musician Peter Appleyard, who died in July. Born in Cleethorpes, Lincolnshire, his version of the Lincolnshire Poacher made it a pop hit in the late 1970’s.  Peter appeared at the Elora Festival just last year, performed his last concert in his own barn in May of this year, and was considered a treasured friend by all who knew him.

Our square has been sponsored by John and Lou Ann, who were privileged to attend the recording of a concert broadcast by the Peter Appleyard Quartet, (Peter with Dave Young, bass; John Sherwood, piano; Terry Clarke, drums) and then be given a CD of the broadcast. But even better than that, Peter hand-drew and autographed a label for John’s CD, with the caricature of himself that you see here. How cool is that!
The square is all handpainted, in deference to Peter’s artistic skills. The signpost, which is typical of Lincolnshire, shows some of the key places in Peter’s life, and the distance from his birthplace. I don’t know if there are County signs such as that shown, but it is the crest of Lincolnshire, and as a personal hurrah to Peter, we have shown his Order of Canada pin.

In addition to its use by the armed forces and Anglican Church and as Peter Appleyard’s signature tune, "The Lincolnshire Poacher" also has a spy connection. It was the nickname of a mysterious, powerful shortwave call sign that used the first two bars of the song as an interval signal. It was believed to be used by a radio station operated by MI6 from RAF Akrotiri, Cyprus, first becoming active in the late 1970’s.  After the call sign was repeated several times, an electronically synthesised English-accented female voice read groups of five numbers: e.g. '0-2-5-8-8'. The final number in each group was spoken with a lifted voice. It is presumed that each time it was used, a coded message was being communicated to undercover agents operating in other countries, to be decoded using a one-time pad.

There was also an Asian numbers station of identical format that was believed to broadcast from Australia, and nicknamed "Cherry Ripe". It used several bars from the Lincolnshire Poacher as its interval signal. Both Cherry Ripe and the signal from Akrotiri continued to operate long after the Cold War ended, through the turn of the century, the last recorded transmission being in June 2008. However, the usage of numbers stations has never been confirmed by any world government.

Whoever has used those opening bars, to many they will always be a reminder of the closing bars, and Peter Appleyard: “’Tis my delight, on a shiny night, in the season of the year.” Rest in peace, Peter!

Happy listening to you all,
Susan


Wednesday, October 9, 2013

REMEMBRANCES IN A WONDERFUL WORLD

Dear Music Lover,
Our first square this time is about the horn solo from Tchaikovsky’s 5th Symphony. This piece was commissioned by my brother Charlie, in memory of our father Michael, who always loved this solo. The timbre of the instrument, the simplicity of the tune, and the serene feeling it evokes makes Charlie think of floating on tranquil water - perhaps in a simple boat - and I agree with him. So I chose to create the ripples using discharge and paint; they swirl, and then gently disperse, echoing the shape of a modern French horn and the simple melody.

Song for Athene by John Tavener: the first time I heard this piece, as with millions of others I suspect, was during the funeral of Diana, Princess of Wales. For me, it is forever linked with the sound of the soles of the pallbearers’ boots, as they carried the casket out of Westminster Abbey; they were just slightly off the beat, and that was just one more aspect of my experience of it – the major/minor switch back and forth, and the march seemingly in time only for a few beats, every so often - all part of the extraordinary emotional wrench. This piece will also remind me forever of the boys’ wreath of lisianthus and roses and the envelope that said “Mummy”, almost overpowered by all the lilies and the royal flag and the uniforms, but nevertheless the encapsulation of the grief of all who felt they had known her.
The border of flying angels is a reference to one of the most beautiful lines in this anthem: “May flights of angels sing thee to they rest”. This, I was reminded, is the line that comes after Horatio says “Good-night, sweet prince” to Hamlet, in Act V, scene ii. So, goodnight, sweet princess.

In the midst of our sadness surrounding thoughts of those who have passed on, we always remember that the world is a better place because of those lives. And has there ever been a better song to say what a wonderful world this is, and how good it is to have lived, than Louis Armstrong's scratchy version of What a Wonderful World. Written by Bob Thiele (as "George Douglas") and George David Weiss, this was the choice of John and Susan, a happy couple who stopped to sponsor a square at our Elora Festival concert table this past summer.
It's a simple song, with a basic rhyme, and so Kathy chose a naive style, and picked out some of the elements the song focuses on. She also decided to show the world from the southern hemisphere, because she is going on a three month trip next month, visiting her son in New Zealand and daughter in Australia. Maybe that's her son with the beaming smile!

Happy listening, and may your music always be good for your soul.
Susan